Sabir pak qawali mp3 download
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He served a series of royal courts, for which he wrote eloquent histories and tributes, but he is best-known today for his poetry and music. Solo vocalist: Dhruv Bilal Sangari Chishty (9:50)Īmir Khusraw Dihlavi (1254?–1325?) was a distinguished Indo-Persian poet and musician. Thou, Saint of India and disciple of the Prophet Let the softness of thine eyes alight upon me Thou art the honor and pride of the World Solo vocalist: Dhruv Bilal Sangari Chishty (16:45) This song is in praise of the founder of the Chishty Sufi order, Mu'inuddin Chishty (1141–1230), popularly known as Gharib Nawaz, "Benefactor of the Poor." The transliterated text on the left allows the listener to follow the singer's melodic elaborations on particular words and phrases.Ī manqabat is a song-form devoted to Sufi saints and other great religious personages. The third and fourth verses refer to the battle of Khaybar, where Ali is reputed to have removed the fort's heavy door and used it as his shield in his defeat of Marhab. Ali's many appellations include "Lion of God" for his religious devotion and success on the battlefield. Most Sufi orders trace their lineage to Muhammad through Ali, whom they believe inherited from Muhammad the saintly power for one's spiritual journey to God. 600–61 CE), the cousin and son-in-law of the Prophet Muhammad and the fourth Caliph. The lyrics are devoted to Imam Ali (Ali ibn Abi Talib, ca. Like track 3, this song is a qaul, a genre of song lyric devoted to sayings, especially those of the Prophet Muhammad. Solo vocalist: Dhruv Bilal Sangari Chishty (20:24) Qawwali singers further expand on this text by inserting additional short lyrics, often many of them, given the deep significance this particular song has for Sufis. Some singers specialize in rhythmic variety, others in melodic improvisation. The core opening statement is elaborated upon through a virtuosic range of musical variation, some of it original and some drawn from an established body of alternative tunes for the text.
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The full song consists of six lines of text, but since the entire meaning is contained in the first two lines, the others are usually repeated only cursorily. Sufi tradition says that the raga has since evolved in the classical tradition while remaining preserved in its original form in qawwali. The music for this lyric, according to modern qawwali singers, is based on an archaic version of a north Indian classical music raga, Shudh-kalyan. He is also credited with creating the entire genre of qawwali that is a hallmark of South Asian Sufi ritual. According to Indian Sufis, it was first set to music by the thirteenth-century poet and musician Amir Khusraw Dihlavi (see also track 6), who elaborated upon the two lines with phrases in Persian, which today are only partly intelligible. The lyrics express a basic Sufi tenet: that the Prophet himself instituted the spiritual succession in Sufism. At some Sufi shrines, all qawwali events begin with this famous composition at others it serves as the finale.